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I picture this timing likely developed during the Palladium period but I have not verified that. Eddie Torres began instructing and popularizing this timing beginning in the 1980's, from what I comprehend. He was mentored by the late June Laberta, a ballroom dancing instructor, that assisted him develop his strategy and timing.
The story I'm constantly told right here, that still requires further investigation, is that as salsa started getting to new audiences outside of the Caribbean and New York City, it was easier and more intuitive to educate social outsiders to dance On1 in contrast to On2. This story does not account for the truth that I've heard Rueda de Casino was initially danced a tiempo On3 in Cuba.
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Salsa On1 is just among numerous salsa timings you can dance to and it is one of the most common timing you'll discover on the planet today. Salsa On1 timing interpretation: "On1" indicates you begin dancing on the initial beat of bench of songs the 1. Your break actions (direction changes) are on beats 1 and 5.
The exceptions I have actually located thus far, where On2 is most usual, would certainly be around New york city and in South Korea (Salsa Dance San Francisco). I make certain there are various other locations that dance mainly On2 but I haven't danced in every nation yet! If you're not sure what timing is most common where you live, ask your local dance workshop
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When a person claims "I dance salsa On1" they most likely mean "I dance direct design salsa On1" (although you can dance any type of style of salsa On1, individuals usually mean direct style). Do not worry if you have actually claimed these things in the past, it's all excellent all of us have! The important point is to bear in mind there's a distinction between design and timing and strengthen your understanding so you can be more exact when speaking about salsa with your close friends.
It attaches nicely with the wording in the music, especially the piano, and other percussion tools like the cow bell and giro. Timing and design are two various things, so different the ideas when you discuss salsa with your friends. Regardless of what timing is most usual in your region of the globe, anonymous remember you can technically dance any type of design of salsa to any type of timing discover and enjoy! Desire more? Look into this deep dive on the difference between dance salsa On1 vs On2 when dancing a tiempo.
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Although there is an original mambo dancing that came from Cuba and then spread to Mexico and New York in the 40s and 50s, these days when somebody states "I dance mambo" they indicate salsa On2, which is different than the initial mambo dancing. The sporadic free-from steps of the original mambo were danced solo.
Which's what we describe as mambo or salsa on2 today. As the dancing began to spread, On1 timing started to end up being prominent. Salsa On2 meaning: "On2" indicates you begin dancing on the very first beat of the bar of music the 2. Your break steps (instructions adjustments) get on beats 2 and 6.
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A lot of professional dancers enjoy dancing On2 for the diverse methods you can attach to the songs. Son cubano is the music and dance that preceded mambo and salsa.
It links well to the clave, bass and conga - Salsa Dance San Francisco. Cha-cha is similar to dance On2 contratiempo but you add the triple action on 4 and 8. Danced to the same beats as On1, your break steps are now on 2 and 6, which alters the feeling of the dancing.
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This timing is virtually the same to contratiempo On2 but the actions that are generally on 4 and 8 are on 4. It's virtually like a timing in between a tiempo and contratiempo.
5 rather of 5) you're dancing this syncopated timing. In fact it appears it's commonly danced as kind of a "blunder" for any individual dancing the previous 2 timings.
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As mentioned previously, this was the initial interpretation of dancing on clave (boy clave), where the Puerto Ricans would certainly straighten their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The concept is to line up as many actions of your fundamental as possible with the strikes of the son clave.
Normally, people have discovered a method to dance on almost every timing feasible to child and salsa songs. People dance On3 for the same reason you dance On1 because it highlights the strong beats of 1-3-5-7.
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Allow's take a look at the beats you dance On1 to: -2-, -6- (solid beats remain in bold) Allow's consider the beats you dance On3 to: -4-, -8- (strong beats are in vibrant) Notice how the solid beats are spaced exactly the exact same for On1 and On3? All you do is beginning tipping On3 as opposed to On1.
That's why dancing On3 is so typical in Latin America. Individuals either Try to dance On1 however begin tipping On3 by crash and it functions out simply fine, or They don't understand much regarding timing and are simply analyzing what they hear in the music, based on their experience maturing in a culture with salsa.